Writings on Nancy Holt

Doubling Down: Nancy Holt’s Stone Enclosure: Rock Rings

Barbara Miller
June 2019

Circles everywhere! Upon entering Nancy Holt’s 2018 solo exhibition at Dia Art Foundation in Chelsea, New York City the observer is engulfed by a network of flat circular line drawings, round cast shadows, and orbicular light pools. Circles also appear dimensionally: as dark voids cut into walls and as mirrored surfaces shaped into orbs. Very tangibly Holt’s circles telescope out, forming lens-less viewfinders. As one stoops to look through cast-iron spyholes, for example in Dual Locators (1972), a tunneling effect occurs: circles become layered onto circles.

Mono Lake: Ring of Fire

Aurora Tang
June, 2020
Mono Lake opens in dramatic flames set to a cinematic soundtrack by Michel Legrand, before transporting viewers to the gravel roads of the Eastern Sierra. The film was shot on July 28, 1968 by Nancy Holt, Robert Smithson, and Michael Heizer, and edited by Holt in 2004. We join the artists on a road trip through the “frost and fire” glacial and volcanic landscape, to Mono Lake, an ancient lake in the Basin and Range. Mono Lake serves as a portal to this curious landscape, shot during a pivotal time for each of the artists, and for the United States. In 1968, while seismic social and political shifts were underway across the country, cultural boundaries were also changing, and Holt, Smithson, and Heizer were forging new artistic terrain.

Swampy Ecologies

Bridget Crone
May 2020

You are in the middle of an expanse of tall thick dry grass, head height. As you look and move through this, a world unfurls that you become immersed in feeling, hearing, seeing, and experiencing fully in each moment. Expansive. The experience feels vivid and rich despite the difficulties of movement across uneven ground and against a fierce wind. Immersive. You cannot see beyond your immediate surroundings. There is no horizon.