typewritten text

Chapter Five of Tuesday Texts

We are happy to announce that throughout October we will be publishing a fifth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.

Both Holt and Smithson opened new ways of thinking about what art might be, and where it might be found. Their ideas resonate through artistic and cultural production of the present, developing innovative ways of exploring our relationship with the planet and expanding the limits of artistic practice. The Scholarly Text Program expands these legacies by commissioning and publishing new writing.

The single artworks range from landmark earthworks and texts to lesser known drawings, moving image works, and rarely seen two-dimensional works. Focused as a tool for researchers at all stages, the Scholarly Text Program will publish two essays on each work, presenting differing opinions and approaches and making links to topics that range from geology to ecology, poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and all the stops between.

Chapter Five of Tuesday Texts publishes the following essays:

Thomas Feulmer, "How to Share Space: Nancy Holt’s Studio Tour: Daytime" 

Adam Lauder, "Upside Down Trees: Terminal Transmissions"

Rebecca Uchill, "Spinwinder (1991)"

Kirsten Swenson, "'The Last Nonsite': Nonsite, Site Uncertain, Politics, and Prehistory"

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Click on the following links to read the essays in previous Chapters of our Tuesday Text series:

Chapter One

Chapter Two

Chapter Three

Chapter Four

Nancy Holt, Studio Tour: Daytime (1971-72)
Two parts: October 30, 1971 and January 5, 1972; revised on March 29, 1972
799 Greenwich Street, New York, NY
Illustrated above is a detail from the score from October 30, 1971
Typewriter ink and pencil on paper, three pages
11 x 8 1/2 inches (27.9 x 21.6 cm) each
Digitized audio recording
Duration: 9 minutes, 50 seconds

© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

an image of a sign saying 'sun air'

Nancy Holt: Light and Shadow Poetics at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle 2," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

forthcoming

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Robert Smithson looking at the camera from the back of a stationwagon loaded with rocks

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.

four steel pipes extending up from the floor with four viewing pipes pointed at four black painted circles on the wall

Holt's "Locators with Loci" in "Minimal" at the Bourse de Commerce

Nancy Holt's 1972 sculpture "Locators with Loci" were on view in the exhibition "Minimal" at the Bourse de Commerce, Paris between October 8, 2025 and January 18, 2026. Curated by Jessica Morgan, Director of Dia Art Foundation, the exhibition traced the scope Minimal Arr through over a hundred works by some forty international artists.