Joan Jonas: An Island Departure, with Nancy Holt and Robert Smithson at the Farnsworth Art Museum

Holt/Smithson Foundation, in collaboration with the Farnsworth Art Museum, is pleased to announce Joan Jonas: An Island Departure, with Nancy Holt and Robert Smithson, an exhibition presenting a newly commissioned body of work by artist Joan Jonas (born 1936). The exhibition will be on view from October 4, 2025 through March 1, 2026.

Jonas's new drawings stem from an invitation by Holt/Smithson Foundation to respond to a unique episode in land art history: on September 30, 1971, Nancy Holt (1938–2014) and Robert Smithson (1938–1973) purchased a tidal island off the coast of Maine sight unseen. Little Fort Island, a small island close to Harrington, Maine, is the starting point for a series of five artist-commissions developed by the Foundation, titled The Island Project: Point of Departure. This conceptual and material island provocation is an ongoing inquiry into themes of ownership, transience, and collaboration, explored in 2025 with the Farnsworth.

“Joan Jonas’s response is a powerful meditation on the passage of time, artistic legacies, and the ever-changing contours of place,” said Jaime DeSimone, Chief Curator of the Farnsworth Art Museum.

“Nancy Holt and Robert Smithson transformed the world of art and ideas. Since our inception, working with artists has been at the heart of Holt/Smithson Foundation’s activities,” said Lise Le Feuvre, Executive Director of Holt/Smithson Foundation. “Working with Joan Jonas is very special: she was a thinking partner with Holt and Smithson in their own lifetimes and we can literally see her in some of the historical artworks by Holt and Smithson we have chosen for The Island Project. Islands are special places whose edges are never at rest; they are sites for the imagination and tangible locations with distinct biographies. Joan has long paid attention to the edge of the sea, and here at the Farnsworth we bring her ideas to a place and to the people who live beside the ever-changing waterline.“

Jonas engages in a dialogue across time and space with Nancy Holt and Robert Smithson, reflecting on the poetic possibilities of an island that is perpetually in flux. Her drawings will explore the shifting boundaries of the land, the ephemeral nature of artistic pursuits, and the enduring resonance of the conceptual gesture made by Holt and Smithson in acquiring the land. The exhibition brings Jonas’s contemporary vision into conversation with artworks by Holt and Smithson relating both to the island and their friendship with Jonas. The careful selection illuminates new interpretations of place, perception, and legacy.

Joan Jonas (b. 1936) is an innovator of video and performance art, whose groundbreaking practice has shaped contemporary art for over five decades. Known for blending storytelling, myth, and new media, her work explores identity, perception, and the natural world through layered, multimedia installations. From her early performances in New York’s SoHo scene to her recent environmental works, Jonas continues to redefine the possibilities of art with a dynamic visual language that is both deeply personal and globally resonant.

Named by the Boston Globe as one of the finest small museums in the country, the Farnsworth Art Museum offers a nationally recognized collection of works from many of America’s greatest artists. It is open year-round as the only museum dedicated solely to American- and Maine-inspired art. Through its remarkable collection of nearly 16,000 works, inventive exhibitions, wide-ranging intellectual resources, and energetic educational programming, visitors from around the world gain a deep appreciation of the ongoing story of Maine’s role in American art. 

Nancy Holt, Down Hill [detail featuring Joan Jonas] (1968)
nkjet print on archival rag paper; composite made by the artist from original 126 format transparencies
34 5/8 x 9 1/2 in. (87.9 x 24.1 cm)
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

Nancy Holt: Light and Shadow Poetics at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle 2," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.