Robert Smithson looking at the camera from the back of a stationwagon loaded with rocks

Casting a Glance: Dancing with Smithson

Robert Smithson with Leonor Antunes, Nairy Baghramian, Daniel Boyd, Tony Cragg, Tacita Dean, Pierre Huyghe, An-My Lê, Steve McQueen, Julie Mehretu, Ana Mendieta, Delcy Morelos, Bruce Nauman, Gabriel Orozco, Giuseppe Penone, Tavares Strachan, Álvaro Urbano, Adrián Villar Rojas, and James Welling

Casting a Glance: Dancing with Smithson was on show at Marian Goodman Gallery Los Angeles from November 4, 2025 through to January 24, 2026 .

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” This exhibition takes him at his word. Casting a Glance: Dancing with Smithson invited eighteen artists to join him on the floor as partners who resist, improvise, and extend the rhythm of his thinking.

From his early 1960s drawings confronting the crumbling ideals of European Modernism with a queer sensibility, to his searing critiques of industrial capitalism and attention to geological timescales, Casting a Glance positions Smithson as both provocateur and visionary. He called for artists to infiltrate corporations, championed the agency of all earth-beings, and gravitated toward the exhausted edges of suburbia over the charismatic metropolitan centers. Smithson’s innovative conception of the site/Nonsite dialectic, his redefinition of what sculpture could be, and his conviction that art is a philosophical encounter with the Earth’s surface converge in this vibrant dance among artists. 

In this exhibition, a selection of rarely seen works by Smithson—chosen in collaboration with the artists—offered a journey into his radical imagination. See our exhibition pages for installation views.

 Robert Smithson gathering material for Nonsite “Line of Wreckage,” Bayonne, New Jersey (1968). Photograph: Nancy Holt

© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

signage for an exhibition

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.