black and white image of a young woman on the left looking at a young man on the right.

Thursday Thoughts: Series One

In May of 2025 we shared our first series of Thursday Thoughts—a weekly series publishing interviews with Robert Smithson or Nancy Holt to our website. Interviews with Holt and Smithson provide a distinct vantage into their artistic process and the evolution of their thoughts throughout time.

Thursday Thoughts: Series One

Robert Smithson with William C. Lipke "Fragments of a Conversation" (1968)

This interview between Smithson and William C. Lipke (Professor of Art History at Cornell University) took place on the occasion of the 1969 Earth Art exhibition at the Andrew Dickson White Museum of Art at Cornell University in Ithaca, New York.

Nancy Holt with Scott Gutterman "Oral History Interview for the Archives of American Art" (1992)

Holt's interview with Scott Gutterman for the Archives of American Art covers numerous topics: Holt's childhood, her early career as an artist in New York City, and her System Works.

Robert Smithson with Alison Sky, "Entropy Made Visible" (1973)

Published in On Site #4, 1973, this interview with Alison Sky took place about two months before Smithson’s death. Although published posthumously, Smithson and Sky completed the editing of the text together.

Nancy Holt with Joan Marter, "Systems: A Conversation with Nancy Holt" (2013)

This interview published in Sculpture Magazine between Nancy Holt and Joan Marter focuses on Holt's System Works and public sculptures.

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

an image of a sign saying 'sun air'

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.