Wednesday Writings

We are excited to share our latest digital program: Wednesday Writings.

Every Wednesday through July and August we will be publishing a text from Nancy Holt or Robert Smithson to the Holt/Smithson Foundation website.⁠⁠

Holt and Smithson's writings provide an unparalleled vantage into the concepts, processes, and thoughts that guided their artwork. Both artists wrote extensively and had their writings published in art publications such as ArtforumStudio International, Arts Magazine, and Avalanche. 

During Chapter One of our Wednesday Writings series, the Smithson writings we are publishing relate to the current exhibition Robert Smithson:Abstract Cartography at Marian Goodman Gallery, New York.

The selection of Holt’s writings focus on works that current Research Fellows are studying, such as Hydra’s Head (1974) and Catch Basin (1982). These writings and others also relate to Holt’s System Works, one of which can be seen in the current exhibition Light and Language at Lismore Castle Arts.

Wednesday Writings Chapter One Schedule:

Robert Smithson, Aerial Art (1969)

Nancy Holt, Hydra’s Head (1974)

Robert Smithson, Towards the Development of an Air Terminal Site (1967)

Nancy Holt, Dark Star Park (1984)

Robert Smithson, A Sedimentation of the Mind: Earth Projects (1968)

Nancy Holt, Ventilation Series (1992)

Robert Smithson, Entropy and the New Monuments (1966)

Nancy Holt, Catch Basin (1982)

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.