2021 Research Fellow: Paige Hirschey

We are pleased to announce our next 2021 Holt/Smithson Foundation Research Fellowship awardee: Paige Hirschey.

Paige Hirschey will focus on Nancy Holt’s 1982 work Catch Basin and related System Works. Paige is a Ph.D. candidate at the University of Toronto specializing in artists' engagements with science and technology from the Cold War to the present. She received her B.A. from the University of Colorado in 2014 and her M.Sc. in Art History, Curating and Criticism from the University of Edinburgh in 2015. She is currently at work on her doctoral dissertation, which offers a reexamination of the aesthetic theories of György Kepes and the enduring legacy of his Center for Advanced Visual Studies at MIT.

Our Research Fellowships aim to encourage new research on the work, ideas, and creative legacies of Nancy Holt and Robert Smithson. We look forward to thinking with Paige to expand and develop critical research on Nancy Holt.

Nancy Holt, Catch Basin (1982)
St. James Park, Toronto, Ontario
W: 80 ft. (24.4 m), L: 90 ft. (27.4), H: 15 ft. (4.6 m)
Collects rain water off the park slopes, channeling the water into the central basin: diameter 10 ft (3m)

©Holt/Smithson Foundation, Licensed by VAGA at ARS, New York

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.