Opening this weekend—Joan Jonas: An Island Departure at the Farnsworth Art Museum

We are thrilled to announce that this coming weekend the exhibition Joan Jonas: An Island Departure, with Nancy Holt and Robert Smithson opens at the Farnsworth Art Museum in Rockland, Maine.

This collaboration with the Farnsworth presents a newly commissioned body of work by artist Joan Jonas (b. 1936) that has stemmed from an invitation to respond to a unique episode in land art history. On September 30, 1971, Nancy Holt and Robert Smithson purchased a tidal island off the coast of Maine sight unseen. Just few hundred feet long, accessible by foot at low tide, and with the creating of building structures forbidden, the island is at the mercy of the weather and the rising tides. Smithson had already developed some ideas for artworks in drawings, but when the pair travelled to see the island in 1972 from their home n New York City it was clear them that leaving the island to simply be was enough. 

Both Holt and Smithson were committed to examining the ways the surface of our planet has been shaped first by geological history and then by human history. Five decades after the artists visited Maine, we at the Foundation  invited five artists to think with the island in The Island Project: Point of DepartureTacita Dean, Renée Green, Sky Hopinka, Joan Jonas, and Oscar Santillán. Islands are special places whose edges are never at rest. They are sites for the imagination and tangible locations with distinct biographies, that feel the changes of the world first.

This conceptual and material island provocation is an ongoing inquiry into themes of ownership, transience, and collaboration. At the Farnsworth, Jonas shares her response to the invitation. She was a close friend of both artists. They shared ideas, travelled together, and were part of a generational shift in the definition of art. The exhibition includes works by Holt and Smithson: some were made during their visit to Maine, others are artwork ideas for the island,  and Jonas can be seen two photoworks by Holt made in 1968 and in the 1969 video East Coast/West Coast.  

For An Island Departure at the Farnsworth Art Museum, Jonas creates an arrangement of rocks, sourced from local granite quarries, mapping out Little Fort Island. They are surrounded by a horizon of drawings, communicating both the persona and agency of the island. Also on show is some recently re-discovered experimental video footage from the early 1970s of Jonas, Holt, Smithson, the curator Joseph Helman and his family, and the artist Richard Serra discussing art and the market at Helman's home in St Louis.

Joan Jonas: An Island Departure is organized in partnership with the Farnsworth and Holt/Smithson Foundation, and is co-curated by Farnsworth Chief Curator Jaime DeSimone and Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation.⁠

Nancy Holt, Over the Hill [detail]  (1968)
Inkjet print on archival rag paper; composite made by the artist from original 126 format transparencies
40 x 40 in. (101.6 x 101.6 cm)
Edition of 5 + 1AP
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

From Dawn till Dusk 2025

We are proud to partner with Land Art Lives, in collaboration with Land Art Contemporary, Land Arts of the American West, to present the second edition of a special livestream conversation between two iconic earthworks by Robert Smithson: Spiral Jetty (1970) and Broken Circle/Spiral Hill (1971). 

Chapter Eight of Tuesday Texts

We are happy to announce that throughout August we are publishing the eighth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. 

Every Tuesday will be publishing a new essay or selecting an essay first published in 2019 on our website, which all include images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.