Waterwork

Nancy Holt
1983-84
Galvanized steel pipe, terra-cotta channel pipe, concrete, steel
Overall: 20 x 130 x 70 ft. (6.1 x 39.6 x 21.3 m)

Nancy Holt's Waterwork is one of her System Works, a series that makes visible the systems that shape everyday experience. Created for the campus of Gallaudet College in Washington, D.C., a university for Deaf and hard-of-hearing students, the sculpture responds to the topography of the site while revealing the infrastructure that carries water through the urban environment.

Constructed from standard plumbing materials and supplied by water from a regional reservoir, the work traces the movement of water through a network of pipes and channels. Water enters through a single pipe, rises through a 20-foot-high (6.1 m) arch, then passes through the sculpture before flowing along terra-cotta channels and rejoining the larger water system. Its movement is regulated by valves set to a daily rhythm, while two hand-operated wheels allow visitors to alter the flow.

In her notes on Waterwork, Holt described the sculpture and Dark Star Park as her most "sociological works," reflecting her interest in creating places where people could gather, interact, and spend time. She designed the sculpture as a place to move through, linger within, and inhabit, with pipes set at different heights that invite visitors to sit. At its center, beside the wheels that control the water flow, is a sandpit intended for children.

In March 1995, the sculpture was dismantled. Holt was clear that she wished the work to be reinstalled on the Gallaudet campus.

Writing

Writing by Artist

Ventilation Series

Nancy Holt
Made of the standard materials of each system – plumbing, electricity, drainage, heating, gas, and ventilation – the sculpture are functional; the electrical systems light, the heating systems heat, the drainage systems drain, the ventilation systems circulate the air, and so on.
Writing by Artist

Pipeline

Nancy Holt

In March 1986, I visited Alaska under the auspices of the Visual Arts Center of Alaska in Anchorage, an institution partly endowed by the oil companies in Alaska.

The Visual Arts Center invited me there to experience the vast Alaskan Environment, anticipating that the experience would generate an idea for an artwork. For ten days I roamed the land looking at various sites, including the Trans-Alaska Pipeline. In July I returned to Alaska and constructed a work, which evolved from the strongest of my main initial impressions of that place.

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