Dark Star Park

Nancy Holt
1979-84
Rosslyn, Arlington County, Virginia
Gunited concrete, stone masonry, asphalt, steel, water, earth, gravel, grass, plants, willow oak
Overall area: Two-thirds of an acre

Holt designed ​Dark Star Park i​n concert with the development of the site as a whole, integrating landscaping and sculptural features to encompass the neighboring building and adjacent traffic island. Concrete spheres are interspersed throughout the park, visible through tunnels, reflected in pools of water, and framed in the carved-out hole of another sphere. Every year on Dark Star Park Day people gather to watch the shadow alignment. The shadows cast by the concrete spheres and the steel poles align with asphalt shadow patterns on the ground at 9:32 AM on August 1—the anniversary of the land’s acquisition by William Henry Ross in 1860. ​Dark Star Park contemplates the physical and ideological structures of land ownership while quoting the cosmos.

Writing

Scholarly Text

Nancy Holt's "Dark Star Park"

Angela Anderson Adams

Monument wars contesting public space. Controversies arising over renovations of Brutalist landscape design. As the custodian of a world-renowned artist-designed park now in its fourth decade, these recent developments resonate. The idea that public sculpture, parks, and plazas are subject to changing mores as manifestations of our collective identity has never been more evident.1

Writing by the Artist

Dark Star Park

Nancy Holt
More than five years ago, in the spring of 1979, I was informed by Thomas Parker, then supervisor of the Arlington County Planning Section, that I had been selected to make a sculpture in a small park being planned in Rosslyn, Virginia.
Scholarly Text

Here Before & Where Beyond: "Dark Star Park"

Gretchen Ernster Henderson
Visiting Nancy Holt’s Dark Star Park (1979-1984) in Rosslyn, Virginia, you may walk among trees, reflecting pools, and cement spheres. In a car, you may bypass with barely a glance. Streets lead out of this suburban compression: north to Georgetown and south toward Arlington Cemetery, with highway onramps east to Washington, D.C. and west toward Virginia’s Blue Ridge Mountains.
Scholarly Text

Nancy Holt’s Sky Mound: “The exposure is better than at the Met”

Monica Manolescu

Every time I travel from Strasbourg, where I live and work, to Princeton, where I go for research, I fly from Frankfurt to Newark and then drive to my destination. The landscape is made of highways, parking lots, office buildings, motels, and occasional vegetation, but nothing stands out and invites one to pause. Nancy Holt’s unfinished Sky Mound (1984-1991) was meant to catch the eye, provoke awe and tear the texture of suburban New Jersey by its stunning difference.

Related Info

See Also

Time Span
Nancy Holt
1981
The Contemporary Austin, Laguna Gloria, Austin, Texas⁠
Hydra's Head
Nancy Holt
1974
Along the Niagara River, Artpark, Lewiston, New York