10 Billion Barrels of Crude Oil

Nancy Holt
1986
Ink on paper
14 x 8 1/2 in. (35.6 x 21.6 cm)
Collection Holt/Smithson Foundation

Nancy Holt visited Alaska in March 1986 at the invitation of Visual Arts Center of Alaska in Anchorage, who hoped she might create a work of art celebrating the region's beauty. Holt was struck by the Trans-Alaska pipeline, and instead created two works examining the pipeline and its impact. 10 Billion Barrels of Crude Oil depicts  the facts and figures of the pipeline’s operation along the oil’s route. To read them, one must shift positions, a physical disturbance that accentuates the discomfort of the information itself.

This work speaks to Holt's earlier concrete poems concerned with mapping, such as Hometown, while also relating to System Works such as Sole Source and Electrical System, which were a primary focus for Holt in the 1980s. In July 1986, Holt returned to Alaska to create the System Work Pipeline at the Visual Arts Center of Alaska in Anchorage.

Writing

Writing by the Artist

Pipeline

Nancy Holt

In March 1986, I visited Alaska under the auspices of the Visual Arts Center of Alaska in Anchorage, an institution partly endowed by the oil companies in Alaska.

The Visual Arts Center invited me there to experience the vast Alaskan Environment, anticipating that the experience would generate an idea for an artwork. For ten days I roamed the land looking at various sites, including the Trans-Alaska Pipeline. In July I returned to Alaska and constructed a work, which evolved from the strongest of my main initial impressions of that place.

Scholarly Text

Nancy Holt’s System Works: A Reflection on Research

Julia L. Alderson
Nancy Holt began producing her System Works in the early 1980s. These installation and site-responsive projects referenced resource delivery—specifically heating, electrical, drainage, plumbing, and ventilation systems. Though aesthetically the works vary greatly, based on the specific parts and mechanics needed for the variety of systems involved, they are intimately related in their thematic intentions. Through them, Holt attempts to focus attention on devices that are considered critical for modern-day life, but that we tend to ignore, take for granted, and even disown.

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