Robert Smithson and Marian Goodman Gallery

Holt/Smithson Foundation and Marian Goodman Gallery are delighted to announce Robert Smithson (1938-1973) is now represented by Marian Goodman Gallery.

Robert Smithson is an artist who recalibrated the possibilities of art. For over fifty years his work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. An autodidact, Smithson’s interests in travel, cartography, geology, architectural ruins, prehistory, philosophy, science-fiction, popular culture, and language spiral through his work. He was fascinated by concepts of duality, entropy, and questions of how we might find our place in the world. In his short and prolific life, Smithson produced paintings, drawings, sculptures, architectural schemes, films, photographs, writings, earthworks, and all the stops between. From his landmark earthworks Spiral Jetty (1970) and Partially Buried Woodshed (1970), which celebrate their fiftieth anniversary this year, to his ‘quasi-minimalist’ sculptures, nonsites, writings, projects and proposals, collages, detailed drawings, and radical rethinking of landscape, Smithson’s ideas are profoundly urgent for our times.

The partnership between Holt/Smithson Foundation and Marian Goodman Gallery marks a return. In 1965 Marian Goodman was a founder of Multiples, Inc., a landmark project publishing prints, multiples, and books by leading American artists – including Robert Smithson. Holt/Smithson Foundation is dedicated to continuing the creative and investigative spirit of both Smithson and Nancy Holt (1938-2014), who willed the Foundation into being. Holt married Smithson in 1963, and managed the Estate of Robert Smithson from 1973 until her death in 2014. Holt/Smithson Foundation has been active since 2018.

To celebrate this new partnership a solo exhibition of Smithson’s works will launch at Marian Goodman Gallery, London. Titled Hypothetical Islands, this will be the first exhibition dedicated to Smithson in the United Kingdom. Dates will be announced on the websites of the Foundation and Marian Goodman Gallery.

Lisa Le Feuvre, inaugural Executive Director of Holt/Smithson Foundation says: “Robert Smithson is an incomparable artist whose work has laid the ground for the art of today. Demanding that we look harder and think deeper about how we understand our place on the planet, Smithson is a powerful voice for our times. Our role at Holt/Smithson Foundation is to care for his creative legacies, and we are proud to be working with Marian Goodman. We share a commitment to demonstrating why art is a necessary and urgent part of the world.“

Philipp Kaiser, Chief Executive Director of Artists and Programs at Marian Goodman Gallery, says: “It seems to be the right moment in time to reevaluate and amplify Robert Smithson’s incredible legacy and his far-reaching impact on generations of artists. Among others, this includes Tacita Dean, Pierre Huyghe, and Adrian Villar Rojas. Given the history of Marian Goodman, who worked with the artist in the late 1960s on various multiples, I am very pleased that Smithson’s powerful voice returns to the gallery.”

Smithson with Rainbow, August 1970
Arches National Park, Utah
Scanned from original 126 format chromogenic slide
Photograph: Nancy Holt

© Holt/Smithson Foundation, licensed by VAGA at ARS, New York

Archived News

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

Nancy Holt: Light and Shadow Poetics at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle 2," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.