Online Viewing Room: Robert Smithson at Marian Goodman Gallery

We are pleased to announce the launch of an Online Viewing Room  at Marian Goodman Gallery, presented on the occasion of two exhibitions marking our partnership with the gallery.

The viewing room features the exhibition Hypothetical Islands at Marian Goodman Gallery, London which pays attention to Smithson’s enduring interest in islands. It takes a journey through more than fifty works. It moves from mobile to spiral islands, through forking jetties, meanders, concrete seas, and rising volcanoes, and includes a program of films. These moving image works feature in our current Friday Film Program

Alongside a video walk through of the London exhibition, the Online Viewing Room presents highlights from Primordial Beginnings, scheduled to launch at Galerie Marian Goodman, Paris in December. The Paris exhibition investigates Smithson’s exploration of, to use his own words, “origins and primordial beginnings, […] the archetypal nature of things.”

Both exhibitions feature rarely seen works from the artist Nancy Holt’s personal collection. Holt married Smithson in 1963 and managed his Estate between 1973 and 2014.

Please visit the website of Marian Goodman Gallery for details of visiting the exhibitions.

Image courtesy Marian Goodman Gallery

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.