two people standing at a vitrine with headphones on for the Tour of the John Weber Gallery by Nancy Holt

Discussions On "Sound As Sculpture"

A significant selection of audio works by Nancy Holt are currently on view in the group exhibition Sound as Sculpture at The Warehouse Dallas. 

The Warehouse is hosting a series of discussions on the exhibition Sound As Sculpture, including one upcoming discussion on Nancy Holt's sound works with Lisa Le Feuvre and James Nisbet this Friday, March 18.

From The Warehouse:

This Spring, The Warehouse presents Discussions on Sound as Sculpture, a four-part series of virtual talks that explores the ways in which artists use of sound as a sculptural medium. Each session features a presentation by an artist, curator, or art historian who examines the artists and themes in the current exhibition, followed by a conversation moderated by exhibition curator Thomas Feulmer.

FRI, MAR 18, 12pm CST
Lisa Le Feuvre, Executive Director of Holt/Smithson Foundation, and James Nisbet, Chair and Associate Professor of Art History and Visual Studies at UC Irvine, discuss Nancy Holt’s groundbreaking work with sound. Sound as Sculpture features the most comprehensive presentation of Holt’s work with audio to date and includes a number of her Tours and Visual Sound Zones, as well as Points of View (1974) and U.S. 80 SOLO: Nebraska (recorded 1976, edited for radio 1979).
 

Register here.

Installation view of Nancy Holt's Tour of the John Weber Gallery in the exhibition Sound as Sculpture at The Warehouse Dallas.

Photograph: Kevin Todora

Archived News

an image of a sign saying 'sun air'

Nancy Holt: Light and Shadow Poetics at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle 2," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

forthcoming

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Robert Smithson looking at the camera from the back of a stationwagon loaded with rocks

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.

four steel pipes extending up from the floor with four viewing pipes pointed at four black painted circles on the wall

Holt's "Locators with Loci" in "Minimal" at the Bourse de Commerce

Nancy Holt's 1972 sculpture "Locators with Loci" were on view in the exhibition "Minimal" at the Bourse de Commerce, Paris between October 8, 2025 and January 18, 2026. Curated by Jessica Morgan, Director of Dia Art Foundation, the exhibition traced the scope Minimal Arr through over a hundred works by some forty international artists.