2020 Open Days at Broken Circle/Spiral Hill

In order to support the health and well-being of our visitors and staff, and in line with recommendations from public health officials regarding COVID-19, the planned 2020 Open Days at Robert Smithson’s Broken Circle/Spiral Hill (1971) will be postponed to 2021. Those who have booked for the 2020 dates will be given priority booking for 2021, and will be contacted directly.

2021 is the fiftieth anniversary of Broken Circle/Spiral Hill. Throughout the year, Holt/Smithson Foundation, in collaboration with Land Art Contemporary and CBK Emmen will organize a program of Open Days, performances, and screenings. In the Fall an international summit titled What is the Time of Land Art? will take place. Details of the program will be announced at the end of this year.

Broken Circle/Spiral Hill (1971) is the only earthwork by Smithson located outside the United States. Situated in a former sand mine in Emmen, part of the province of Drenthe in the Netherlands, Broken Circle/Spiral Hill was commissioned for the 1971 exhibition Sonsbeek: Beyond the Pale. The mine quarry was cut into the side of a terminal moraine, the very edge of glacial movement. The geological and industrial history of the region drew Smithson to this particular location, and he was fascinated by the constructed landscape of the Netherlands. Broken Circle/Spiral Hill is visionary in its attention to ecological concerns and the potential of land reclamation.

Broken Circle/Spiral Hill is an artwork of two parts. Broken Circle is a semi-circular jetty built into the quarry lake, filled with reflecting green water. Spiral Hill rises into a cone-shaped hill beside the lake, and a spiraling path leads to the top from where Broken Circle can be observed. At the center is an immovable huge boulder deposited by the ancient glacial movements.

Robert Smithson, Broken Circle/SpiralHill (1971)
Emmen, The Netherlands

Broken Circle
Water, sand, and boulder
Diameter: 140 ft. (42.6 m); canal: 12 ft. (3.6 m) wide, 10-15 ft. (3-4.5 m) deep

Spiral Hill
Earth, topsoil, sand
Diameter: 75 ft. (22.9 m) at base

Photograph: Robert Smithson
 

©Holt/Smithson Foundation, Licensed by VAGA at ARS, New York

Archived News

Soft Network Benefit Auction

We are pleased to participate in the Soft Network Benefit Auction, open on Artsy from September 23 until October 7, 2026. The auction brings together works in support of Soft Network and the Artist Foundations and Estate Leaders List (AFELL), an international network for artists and stewards of artists’ estates and legacies. Holt/Smithson Foundation has donated two rare works of art by Nancy Holt and Robert Smithson to the auction to help further this goal. 

“Starfire” at Powder Art Foundation Fall Open Day and Utah Museum of Fine Arts Land Art Week

On October 2, from 11 am to 3 pm, Powder Art Foundation will host a Fall Open House at Powder Mountain in Eden, Utah where Nancy Holt’s Starfire (1986) can be experienced. Starfire joined the collection of Powder Art Foundation last year. The sculpture comprises eight fire pits arranged in the configuration of the Big Dipper and the North Star, bringing the sky down to earth.

Portuguese translation of Smithson's "Strata: A Geophotographic Fiction"

We are pleased to share our collaboration with the São Paulo–based Robert Smithson scholar and professor Antônio Ewbank and publisher Editora Ébria, presenting the first Portuguese translation of the text of Robert Smithson's Strata: A Geophotographic Fiction (1970). Strata: A Geophotographic Fiction is a four-part fold-out work created by Smithson for Aspen Magazine No. 8: The Fluxus Issue, guest edited by Dan Graham and designed by George Maciunas.

Nancy Holt in "10 Years LA!"

From May to August 2026, Monika Sprüth and Philomene Magers presented 1 0 Years LA!,at their Los Angeles gallery, an exhibition celebrating the gallery's decade-long presence in the city.