Views through a Sand Dune [photowork]

Nancy Holt
1972
Inkjet print on archival rag paper; composite made by the artist from original 126 format transparencies
55 3/8 x 22 in. (140.7 x 55.9 cm)
Edition of 5 + 1AP

In this composite photographic work we see four views of Nancy Holt's Views through a Sand Dune , an earthwork she made in the fall of 1972 during an artist residency at the University of Rhode Island in Kingstown. Working with a group of students on Narragansett Beach, Holt inserted a five-foot long cement-asbestos pipe directly through a large sand dune on the beach. Tuned to the proportions of the body and installed through the sand dune at eye-level, the pipe piercing the dune serves as an aperture to be looked through. Nancy Holt's interest in sculpture evolved out of her photography and the two media were always linked for Holt; Views through a Sand Dune illustrates this relationship through this composite print.

Views through a Sand Dune developed directly out of Holt's first sculptures—sculptural “seeing devices” that Holt called Locators, which draw attention to visual perception and place. She described in a 1983 interview the importance of the sculptural properties of the artwork, which led on to her room sized installations—such as Holes of Light (1973) and Mirrors of Light I and II (1974)—and to the earthwork Sun Tunnels (1973-76). Holt's first Locators looked out the windows of her studio in the West Village onto details of the built environment, such as a cracked window or an exhaust pipe, and later Locators installed in traditional exhibition spaces framed painted ellipses, mirrors, and light as in Locator with Spotlight and Sunlight.  In Views through a Sand Dune Holt expands this circular visual language out into the landscape to frame two views: one view out toward the ocean and the other back toward the river and shoreline

 In contrast to Holt's other outdoor Locator works, here she uses the landscape itself as the support for her work. The constantly shifting sand dune holding the pipe and the ever-changing light on the landscape in the views through the sand dune highlight Holt's interest in the complex intertwined relationship between perception, time, and landscape. Views through a Sand Dune is no longer extant and has the potential to be reinstalled in the same site or elsewhere, providing the views of salty and sweet water are possible. 

Related Info

See Also

Hydra's Head
Nancy Holt
1974
Along the Niagara River, Artpark, Lewiston, New York