Locator with Spotlight and Sunlight

Nancy Holt
1972
Steel pipe, spotlight, vinyl
Locator: height 60 in. (152 cm); length 12 in. (31 cm); diameter 2 in. (5 cm)

Locator with Spotlight and Sunlight was first exhibited at John Weber Gallery in New York City in 1972, not long after Holt created her first Locators, which looked out the windows of her West Village studio toward details of the built environment, such as a cracked window or an exhaust pipe. After focusing on the subject of sight in these early Locator works, Holt turned to an investigation of the process of sight itself.

The Locator is positioned so that it may be viewed in two directions. Looking upward through it, one sees an elliptical projection of light cast by a spotlight onto a wall; when viewed through the Locator, the ellipse resolves into a perfect circle. Looking downward through the Locator, one sees a window covered with vinyl, into which an elliptical aperture has been cut; when viewed through the Locator, the ellipse resolves into a perfect circle of light. In "The Dialectics of Locator with Spotlight and Sunlight" Holt articulates her interest in the contrast between the persistent artificial glow of electric light and ever-changing natural light. By channeling vision through the Locator and manipulating light through spatial interventions in Locator with Spotlight and Sunlight, Holt draws parallels between light and sight, posing questions about the relationship between the two.

Writing

Writing by the Artist

The Dialectics of Locator with Spotlight and Sunlight

Nancy Holt
1. Artificial Light vs. Natural Light. 2. Stasis vs. Change: The light intensity of the spotlight remains constant while the sunlight grows brighter or dimmer depending on the time of day and the weather, eventually ending in darkness after sunset when only a dark hole in the window and an oval of light on the wall remain.
Writings by Nancy Holt

Holes of Light

Nancy Holt

1. Concrete vs. Ephemeral

Light, like sight, can be channeled, controlled so that shapes of light can materialize. In Holes of Light these shapes of contained light were outlined on the wall in pencil giving them even more of a physical presence, so that even when the light or sight is absent, a trace remains.

2. Light as the Concretization of Sight

Related Info

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