"Teresita Fernández / Robert Smithson" at SITE SANTA FE in 2024

We are pleased to announce the exhibition Teresita Fernández / Robert Smithson launches at SITE SANTA FE in July  2024, in collaboration with SITE SANTA FE and Teresita Fernández. This major exhibition marks the first time Robert Smithson’s work has been placed in conversation with an artist working today. Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices. The exhibition critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

Presenting both iconic and rarely-seen works by Fernández and Smithson, the exhibition organizes their artistic dialogue around a shared desire to recontextualize the complexities of art addressing the land. Teresita Fernández / Robert Smithson is initiated by Fernández’s long-term engagement with challenging socially-constructed ideas about place and landscape, as well as her deep research on the art and ideas of Smithson.

Teresita Fernández / Robert Smithson is an artist-driven model of exhibition-making that pulls the past productively into the present. Both Fernández’s and Smithson’s artistic research is rooted in conceptual questions that engage matter, materiality, land, and place. Fernández's insistence on situating site and landscape in relation to human beings opens a reexamination of Smithson’s work that considers the urgencies of the present. As a whole, Teresita Fernández / Robert Smithson operates as a platform to question how we define place, land, and landscape—as well as who has agency in such places. In doing so, the exhibition seeks to radically shift the art historical perspectives that have sidelined voices of women artists, Indigenous artists, and artists of color.

The exhibition is curated by Lisa Le Feuvre, Executive Director of Holt/Smithson Foundation, and Teresita Fernández, and is organized by SITE SANTA FE.

The exhibition will open on July 5, 2024 and continue through October 28, 2024. Learn more about the exhibition here.

1st Photo: Robert Smithson, Spiral Jetty [still] (1970)
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York Distributed by Electronic Arts Intermix, New York

2nd photo: Photo: Teresita Fernández, Caribbean Cosmos(Earth) (Detail) (2023)
Glazed ceramic
96 x 192 x 1.25 inches (243.8 x 487.7 x 3.2 cm)
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London
© Teresita Fernández

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.