Smithson's "Asphalt Rundown" in "Mining Photography" exhibition at MK&G Hamburg

Imagery and digitized film of Robert Smithson's earthwork Asphalt Rundown (1969) is currently on view in the exhibition Mining Photography: The Ecological Footprint of Image Production at Museum für Kunst und Gewerbe Hamburg. Mining Photography examines the relationship between photography and extractive industries. 

From MK&G: "Ever since its invention, photography has depended on the global extraction and exploitation of so-called natural resources. In the early 19th century, these were salt, fossil fuels such as bitumen and carbon, as well as copper and silver, which were all used for the first images on copper plates and for salt paper prints. By the late 20th century, the photographic industry was one of the most important consumers of silver, responsible, at its peak, for about a quarter of the metal’s global consumption. Today, with the advent of digital photography and the ubiquity of mobile devices, image production is contingent on rare earths and metals such as coltan, cobalt, and europium. Image storage and distribution also consume immense amounts of energy. One scholar recently observed that Americans produce more photographs every two minutes than were made in the entire nineteenth century.

"Mining Photography: The Ecological Footprint of Image Production is dedicated to the material history of key resources used for image production, addressing the social and political context of their extraction and waste and its relation to climate change. Using historical photographs and contemporary artistic positions as well as interviews with restorers, geologists, and climate researchers, the exhibition tells the story of photography as one of industrial production, showing the extent to which the medium has been deeply intertwined with human change of the environment. By focusing on the ways by which industrial image production has been materially and ideologically implicated in climate change, rather merely using it to depict its consequences, the exhibition employs a radically new perspective towards this subject."

The exhibition is curated by artist, author and curator Boaz Levin and Dr. Esther Ruelfs, Head of the Photography and New Media Collection at MK&G. In cooperation with Kunsthaus WienGewerbemuseum Winterthur and the HFBK HamburgMining Photography is on view through October 31, 2022.

Installation view: Robert Smithson's Asphalt Rundown in the exhibition Mining Photography: The Ecological Footprint of Image Production, MK&G Hamburg, Germany, 2022
 

Archived News

Chapter Seven of Tuesday Texts

We are happy to announce that throughout October we are publishing a seventh chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. 

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.

Letters and early drawings by Robert Smithson published in Centre Pompidou journal

The Fall issue of the Centre Pompidou journal Les cahiers du musée national d’art moderne publishes for the very first time Robert Smithson’s letters and writings from Rome, accompanied by previously unpublished early drawings.

The French language publication includes translations of letters Smithson wrote to Nancy Holt in 1959-1961 and letters Smithson sent to George Lester between 1960 and 1963. George Lester offered Smithson his first solo international exhibition at Galleria George Lester in Rome in 1961.