Research Fellowship Webinar with Rory O'Dea

Join us on Thursday October 13th for a webinar by 2022 Holt/Smithson Research Fellow, Rory O'Dea.
Rory will share his research surrounding Robert Smithson and Nancy Holt's time and work in the Pine Barrens, NJ.

Information and Registration:
Thursday, October 13th
10:30 AM Mountain Time
Rory will present for 30 - 45 minutes and a question and answer session will follow.
Register in advance for this webinar.

After registering, you will receive a confirmation email containing information about joining the webinar.

Rory O’Dea is an Assistant Professor of Contemporary Art and Design and the Associate Dean of the School of Art and Design History and Theory. He received his PhD in art history from the Institute of Fine Arts at New York University, and his scholarship explores the ways that visual art intersects with ecology, geology, and fiction as a means to produce speculative realities and alternative modes of knowledge. At Parsons, his pedagogy is rooted in the intersection of theory and practice and explores the ways that art history shapes and is shaped by artistic research. His monograph titled Robert Smithson, Land Art, and Speculative Realities will be published by Routledge in 2023.

Project Description

"Encompassing site-studies, ethnography, and archival research at ecological and historical institutions, my fellowship project will investigate the local cultures--human and nonhuman--of the Pine Barrens, New Jersey that have been erased or are under threat of erasure by the processes of industrialization and environmental degradation. More specifically, my project will examine the connections and tensions between the contemporary movements to preserve the 'wilderness' of the Pine Barrens and the human culture of its long-standing communities. At the same time, my research of the Pine Barrens represents a critical opportunity to investigate the ways that Holt and Smithson collaboratively and individually produced work in response to the same site. Finally, my research addresses the question of how contemporary art can productively respond to and mediate the various land uses of the site to achieve a sustainable future."

Robert Smithson and Carl Andre walking through a sand quarry in the Pine Barrens, New Jersey
Spring, 1967
Photograph: Nancy Holt
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

Soft Network Benefit Auction

We are pleased to participate in the Soft Network Benefit Auction, open on Artsy from September 23 until October 7, 2026. The auction brings together works in support of Soft Network and the Artist Foundations and Estate Leaders List (AFELL), an international network for artists and stewards of artists’ estates and legacies. Holt/Smithson Foundation has donated two rare works of art by Nancy Holt and Robert Smithson to the auction to help further this goal. 

“Starfire” at Powder Art Foundation Fall Open Day and Utah Museum of Fine Arts Land Art Week

On October 2, from 11 am to 3 pm, Powder Art Foundation will host a Fall Open House at Powder Mountain in Eden, Utah where Nancy Holt’s Starfire (1986) can be experienced. Starfire joined the collection of Powder Art Foundation last year. The sculpture comprises eight fire pits arranged in the configuration of the Big Dipper and the North Star, bringing the sky down to earth.

Portuguese translation of Smithson's "Strata: A Geophotographic Fiction"

We are pleased to share our collaboration with the São Paulo–based Robert Smithson scholar and professor Antônio Ewbank and publisher Editora Ébria, presenting the first Portuguese translation of the text of Robert Smithson's Strata: A Geophotographic Fiction (1970). Strata: A Geophotographic Fiction is a four-part fold-out work created by Smithson for Aspen Magazine No. 8: The Fluxus Issue, guest edited by Dan Graham and designed by George Maciunas.

Nancy Holt in "10 Years LA!"

From May to August 2026, Monika Sprüth and Philomene Magers presented 1 0 Years LA!,at their Los Angeles gallery, an exhibition celebrating the gallery's decade-long presence in the city.