a gallery with photographs on the wall

Holt works on view in "Dartmoor: A Radical Landscape" at RAMM

Works by Nancy Holt are currently on view in the exhibition Dartmoor: A Radical Landscape at RAMM—Royal Albert Memorial Museum & Art Gallery in Exeter, England. 

In September of 1969 Nancy Holt  traveled throughout England and Wales with Robert Smithson and both artists created artworks inspired by the landscape on their journey. While visiting Wistman's Wood in Dartmoor, Nancy Holt created two artworks: the photowork Trail Markers, which shows a series of orange dots used to navigate a path to Wistman's Wood, and the photo composite Wistman's Wood, which shows the place Holt created her first Buried Poem for Robert Smithson, are both on view in the exhibition through February 23, 2025.

One of the programs during the run of the exhibition features Holt/Smithson Foundation Research Fellow Joy Sleeman in conversation with artist Ashish Ghadiali on Wednesday, February 12. Joy Sleeman has written on Holt's Trail Markers and her time in the UK for our Scholarly Text Program in the essay "Nancy Holt Trail Markers (1969) or, the walk from Wistman’s Wood."

Learn more about the Holt artworks in the exhibition on our website and learn about the other artists in this group exhibition on the RAMM website.

Installation view: Dartmoor: A Radical Landscape, RAMM—Royal Albert Memorial Museum & Art Gallery, Exeter, England, 2024
Featuring Nancy Holt's Trail Markers (1969)
Photograph: Simon Tutty
Image courtesy RAMM 

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

signage for an exhibition

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.