images of Smithson's Spiral Jetty and Broken Circle/Spiral Hill

From Dawn till Dusk on September 10

We are proud to present a special livestream conversation between two iconic earthworks by Robert Smithson: Spiral Jetty (1970) and Broken Circle/Spiral Hill (1971). 

Broadcasting live from first light at Spiral Jetty, located  at the Great Salt Lake in the state of Utah, and concluding with last light at Broken Circle/Spiral Hill located in Emmen in Netherlands, this special digital event is a part of Land Art Lives, an on-going research project and upcoming international conference in the Netherlands on October 3, 2024, exploring the relevance of land art for our current times.

Link to livestream page.

Presented in collaboration with Kunstmuseum M. (Netherlands), Land Art Contemporary (Netherlands), Land Arts of the American West (Texas Tech University), and Holt/Smithson Foundation (New Mexico), the livestream will be available on September 10 through the Land Art Lives website.

In 1970 the artist Robert Smithson (1938-1973) created Spiral Jetty on the Rozel Point peninsula on the northeastern shore of Utah’s Great Salt Lake. Made from over six thousand tons of black basalt rocks and earth collected from the site, Spiral Jetty stretches 1,500 feet long and 15 feet wide in a counterclockwise spiral. The following year Smithson was invited to create an earthwork in the Netherlands for the recurring outdoor exhibition Sonsbeek. Beside a working sand quarry in the province of Drenthe and cut into the side of a terminal moraine, Smithson created Broken Circle/Spiral Hill—his only extant earthwork outside of the United States. On September 10, a dialog will take place between the two sites via a simultaneous livestream broadcast that will begin with first light at Spiral Jetty in Utah and extend to last light at Broken Circle/Spiral Hill in the Netherlands.

Throughout the seven-hour program the livestream view of the two earthworks will be accompanied by an evolving program, highlighting a myriad of voices and viewpoints. Students from the Land Arts of the American West program will be on site with Spiral Jetty. Smithson’s writings relating to the two earthworks will be read aloud and later these voices will be joined by a recording from the musician Lee Ranaldo’s audio diary of trying to find Broken Circle/Spiral Hill while on tour with Sonic Youth in the Netherlands. The artist Tacita Dean will join the conversation from Emmen to share her impressions upon her first visit to Smithson’s Broken Circle/Spiral Hill and Spiral Jetty. At 11:00 am Mountain Time (7:00pm Central European Time), Tacita Dean and Chris Taylor, Director of Land Arts of the American West, will be in conversation with Lisa Le Feuvre, Executive Director of Holt/Smithson Foundation, to discuss questions surrounding the relevance of land art today.
 

Event details:
September 10, 2024
2:00pm–9:00pm (Central European Time) // 6:00am–1:00pm (Mountain Time) 
Accessible via the Land Arts Lives website

Learn more about From Dawn till Dusk on our Programs Page.

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

an image of a sign saying 'sun air'

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.