50th Anniversary of Broken Circle/Spiral Hill

With our partners Land Art Contemporary and Centrum Beeldende Kunst Emmen, we are very happy to announce that Robert Smithson’s only earthwork outside the United States opens this summer to celebrate its fiftieth birthday. Between July and October 2021 Robert Smithson’s earthwork Broken Circle/Spiral Hill (1971) will be open for eight weekends. Bookings are essential, via the dedicated website www.brokencircle.nl.

Located near the City of Emmen in the province of Drenthe in The Netherlands, Broken Circle/Spiral Hill was commissioned for the 1971 edition of the recurring outdoor exhibition Sonsbeek. Smithson’s earthwork is sited in a former sand-mine, cut into the side of a terminal moraine. It is an artwork of two parts. Broken Circle is a semi-circular jetty built into a quarry lake filled with reflecting green water. Spiral Hill rises into a cone-shaped hill beside the lake; from the top, via a spiraling path, the quarry and Broken Circle can be seen from above. At the center is an immovable huge boulder deposited by ancient glacial movements. 

The geological and industrial history of the Drenthe region drew Smithson to Emmen. He was fascinated by the constructed landscape of The Netherlands. Smithson was interested in “landscapes that suggest prehistory. As an artist it is sort of interesting to take on the persona of a geological agent where man actually becomes part of that process rather than overcoming it.” Smithson was committed to working with landscapes scarred by industry, thinking through future uses for exhausted landscapes. Smithson described this as “a major piece” and it sparked his interest in working with industry and post-industrial landscape to make art “a necessary part of their reclamation projects.”

Sited on private land, the future of Broken Circle/Spiral Hill is uncertain. It is an artwork with a rich history, with a deep resonance for the present, and with an unknown future. Working with the current landowners and our Dutch partners Land Art Contemporary, Holt/Smithson Foundation’s ambition is to build a sustainable future for the artwork to enable it to inspire future generations.

Alongside the Open Weekends, a series of talks, screenings, and presentations organized with Dutch partners take place this year. See www.brokencircle.nl for details. 

Robert Smithson, Broken Circle/SpiralHill (1971)
Emmen, The Netherlands
Postcard from 1972, photographer unknown

©Holt/Smithson Foundation, Licensed by VAGA at ARS, New York

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.