a collaged image of burial mounds with a floating abstract shape

2021 Research Fellow: Ali Ismail Karimi

We are pleased to announce the second of our 2021 Holt/Smithson Foundation Research Fellowship awardees: Ali Ismail Karimi.

Ali Ismail Karimi’s Research Fellowship will focus on Robert Smithson’s 1966 works Grave Mounds with Object and Proposal for a Monument on the Red Sea and the relationship of Smithson’s work to the landscapes of the Middle East.

Ali is a Bahraini architect whose work explores social housing, public space, and the landscape of the GCC countries. He is, along with Hamed Bukhamseen, co-founder of Civil Architecture, an architecture office based in Manama and Kuwait City whose work has been shown in the Sharjah Architecture Triennale, Oslo Triennale, Seoul Biennale, and Amman Design Week. Together they curated the Kuwait Pavilion “Between East and West: A Gulf“ at the 2016 Venice Biennale.   

Our Research Fellowships aim to encourage new research on the work, ideas, and creative legacies of Nancy Holt and Robert Smithson. We look forward to thinking with Ali to expand and develop critical research on the works of Robert Smithson.

Robert Smithson, Grave Mounds with Object (1966)

Magazine photo collage

 6 x 7 5/8 in. (15.2 x 19.4 cm)

©Holt/Smithson Foundation, Licensed by VAGA at ARS, New York

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

an image of a sign saying 'sun air'

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.