Dual Locators

Nancy Holt
1972
Steel pipe, black paint, mirror
Overall dimensions variable (site responsive); Locators: 60 x 12 x 2 in. (152 x 31 x 5 cm) each; mirror: 8 in. (20 cm) diameter

In 1971, Nancy Holt created the first of her Locators, sculptural “seeing devices” that draw attention to visual perception and place. The Locators developed from Holt’s interest in the circularity of photography and are simple constructions made from industrial pipes welded into a T-shape, designed to be looked through with one eye. Holt’s first Locators looked out the windows of her West Village loft, directing the viewer’s gaze toward details of the built environment, such as a cracked window or an exhaust pipe.

The following year, Holt expanded the visual language of the Locators through what she called “Loci,” painted circles and ellipses that resolve into perfect black circles, edged with a ring of light, when viewed through the Locators. She was interested in drawing attention to the processes, rather than the subject, of seeing.

Dual Locators was made in 1972 and was first installed at the University of Montana Art Gallery in Missoula, Montana. It is a sculpture intended to be looked through in two directions: toward a mirror mounted on one wall and toward a black circle, the Locus, painted on the opposite wall. When one looks towards the mirror, one sees oneself looking. 

Holt set clear instructions for installation. The Locators are the same height, 60 inches, and are placed facing a wall in either direction. The first is placed exactly 39½ inches from an eight-inch-diameter mirror, secured to the wall and centered on the axis of the Locator. The second Locator is placed 141¼ inches from the mirror, again centered.  The Locus is site-responsive and is determined by the distance between the second Locator and the wall opposite the mirror. It is painted directly onto the wall, and its edges are set to visually sit just inside the edge of the circular frame when viewed through the second Locator, creating a halo effect.

Writing

Writing by Artist

The Dialectics of Locator with Spotlight and Sunlight

Nancy Holt

1. Artificial Light vs. Natural Light.

2. Stasis vs. Change: The light intensity of the spotlight remains constant while the sunlight grows brighter or dimmer depending on the time of day and the weather, eventually ending in darkness after sunset when only a dark hole in the window and an oval of light on the wall remain.

3. Two-Dimensional Perspective vs. Three-Dimensional Perspective: Looking through the locator one way, vision dead-ends on the wall, the oval of light cast by the spotlight becoming a circle of light. Looking the other way, the window frame bar, which is visually off-center frontally, bisects the circle of vision. The white bricks of the adjacent building seem to lose depth and approach the window bar and the viewer, resulting in a change of depth perception.

Related Info

See Also

Hydra's Head
Nancy Holt
1974
Along the Niagara River, Artpark, Lewiston, New York