Niagara

Nancy Holt
1975
16 mm film, color, silent
22 minutes, 11 seconds

After completing the earthwork Hydra’s Head in 1974, Nancy Holt began work on the unfinished film Niagara in 1975. Hydra’s Head was first presented at Artpark in Lewiston, upstate New York, on the banks of the Niagara River. A series of studies of water flowing along the river, the film observes the constant changes taking place on its surface. She described the process:  “In July 1975, with a 16 mm camera and color film, I filmed the waters of Niagara glistening, shimmering, sparkling, flowing, rippling, foaming, falling, waving, crashing, spattering, splashing, swelling, dripping, cascading, swirling, reflecting, circling, whirling, tumbling, flooding, engulfing, gushing, streaming, pouring, spouting, dropping, spraying, misting, trickling, pooling, bubbling.” The following year, she began editing, planning the work to be fifteen to twenty minutes long. The current version in circulation is silent, and the Foundation is researching Holt’s sound files so that the work can be completed.

Writing

Writing by Artist

Hydra's Head

Nancy Holt

The Seneca Indians of New York have a saying: “Pools of water are the eyes of the earth.” At night the pools of Hydra’s Head “see” the stars brought down into their circumferences, by day they catch in their “view” sky, clouds, sun, and a bird or two. The moon is seen moving from pool to pool as I walk—a continuous recurrence of light encircled. Eddies and whirlpools in the river below, fed by the mad waters of Niagara Falls seven miles upstream, keep up a loud rhythm— there’s always the sound of water. Hearing and seeing come together in a vaporous fusion. The sky has suddenly fallen and is circled at my feet. Clouds drift through the earth, the sun gleams off the windblown ripples. A bottomless hole is there to engulf me. A sinking feeling begins to pervade. Nature’s mirrors absorb. The color of the concrete pipe seen rimming the pools echoes in the color of the rocks nearby.

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