Enantiomorphic Chambers

Robert Smithson
1965
Painted steel, mirrors
24 x 30 x 31 in. (61 x 76 x 79 cm)

‏‏‎ ‎

Writing

Writing by the Artist

Interpolation of the Enantiomorphic Chambers

Robert Smithson
‎‏‏‎The surface plane (fluorescent green) is behind the framing support (blue). One cannot see the whole work from a single point of view, because the vanishing point is split and reversed. The structure is “flat,” but with an extra dimension.
Scholarly Text

Florida, Man: Robert Smithson’s Hypothetical Continent in Shells: Lemuria

Sean J Patrick Carney

Before sunrise on an already soupy Monday in mid-August 2023, scores of white contractor pickups from mainland Florida clogged the causeway bridge onto Sanibel, a narrow, crescent barrier island curving twelve miles along the Sunshine State’s southwestern Gulf Coast. Ten months earlier, Hurricane Ian had thrashed the island, leveling homes and businesses, disemboweling infrastructure, and clobbering complex, verdant ecosystems filled with alligators, marsh rabbits, black racer snakes, river otters, iguanas, gopher tortoises, and legions of bird species.

See Also