Enantiomorphic Chambers
Robert Smithson, Enantiomorphic Chambers (1965)
Painted steel, mirrors
24 x 30 x 31 in. (61 x 76 x 79 cm) each
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Robert Smithson, Enantiomorphic Chambers (1965)
Painted steel, mirrors
24 x 30 x 31 in. (61 x 76 x 79 cm) each
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
Robert Smithson reflected in his sculpture Enantiomorphic Chambers (1966)
Photograph: Nancy Holt
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Robert Smithson reflected in his sculpture Enantiomorphic Chambers (1966)
Photograph: Nancy Holt
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
Code of Reflections included in Robert Smithson's text Interpolation of the Enantiomorphic Chambers (1966)
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Code of Reflections included in Robert Smithson's text Interpolation of the Enantiomorphic Chambers (1966)
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
Robert Smithson, Enantiomorphic Chambers (1965)
Painted steel, mirrors
24 x 30 x 31 in. (61 x 76 x 79 cm) each
Installation view: The Double, National Gallery of Art, Washington DC, 2022
Courtesy National Gallery of Art, photograph by Robert Shelley
Artwork © Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Robert Smithson, Enantiomorphic Chambers (1965)
Painted steel, mirrors
24 x 30 x 31 in. (61 x 76 x 79 cm) each
Installation view: The Double, National Gallery of Art, Washington DC, 2022
Courtesy National Gallery of Art, photograph by Robert Shelley
Artwork © Holt/Smithson Foundation / Licensed by Artists Rights Society, New York
Before sunrise on an already soupy Monday in mid-August 2023, scores of white contractor pickups from mainland Florida clogged the causeway bridge onto Sanibel, a narrow, crescent barrier island curving twelve miles along the Sunshine State’s southwestern Gulf Coast. Ten months earlier, Hurricane Ian had thrashed the island, leveling homes and businesses, disemboweling infrastructure, and clobbering complex, verdant ecosystems filled with alligators, marsh rabbits, black racer snakes, river otters, iguanas, gopher tortoises, and legions of bird species.
...the left and right hand could be considered an enantiomorph. It is a kind of bi-polar notion that comes out of crystal structure. They are two separate things that relate to each other. l would say that in the Enantiomorphic Chambers there is also the indication of a kind of dialectical thinking that would emerge later very strongly in the Nonsites.
Robert Smithson
"Oral history interview with Robert Smithson, 1972 July 14-19." Archives of American Art, Smithsonian Institution