Virginia Dwan (1931-2022)

At Holt/Smithson Foundation we are honored that Virginia Dwan served on our Board of Directors from 2018 until her passing on September 4, 2022. Her wisdom, humor, curiosity, warmth, attention to detail, and vast expertise has contributed immensely to our young foundation. We will miss her a great deal.

Virginia was a visionary philanthropist and gallerist. In 1959 she launched the Dwan Gallery—first located  in Los Angeles then, from 1966, in New York. Her vison was to support artists who were rethinking the possibilities of what art could be. Her gallery presented 134 exhibitions between 1959 and 1971, and in 2016 an exhibition at the National Gallery celebrated her remarkable contribution to the realm of art.

In 1966 Virginia was introduced to Robert Smithson by Sol LeWitt, initiating an enduring friendship. Smithson immediately joined the gallery, and over the following years Virginia would support, exhibit, and collect Smithson’s work—as well as share ideas and embark on numerous research trips. The Dwan Gallery was also where Nancy Holt would first exhibit her work, in the 1969 group exhibition Language III.

In 1967 Virginia travelled with Holt and Smithson “on a number of excursions through the mid-Atlantic region from New Jersey to Virginia, in search of available land for potential Earthworks.” [2014] “When we could not find land that was available, we were inspired to organize the Earth Works show in the gallery” in 1968. Soon after “when Smithson told me he was going to make Spiral Jetty, I wanted to make funds available for him to do so. And I wanted to be there for it.” [2014]  For Virginia, supporting artists meant giving them the freedom and resources, as well as an analytic ear, to fulfill their ideas exactly as they wished to.

In an article published in 1982 Virginia recalled “Smithson was a man and an artist uniquely aware of his time, who had the courage to be of it, and in it, and for it. It was a privilege to share some of it with him.” At Holt/Smithson Foundation we echo Virginia’s own words: it was a privilege to share time with her, and to count her as an erudite and dear friend. She was a unique supporter of artists, and her contributions will endure long into the future.

Virginia Dwan visiting the Antietam National Battlefield with artists Dan Graham (pictured in background), Robert Smithson, and Nancy Holt in 1968.

Photograph: Nancy Holt

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.