black and white, four sun tunnels with a person standing looking through one

Tuesday Texts: Chapter Three

We are delighted to announce that throughout February we will be publishing a third chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.

Both Holt and Smithson opened new ways of thinking about what art might be, and where it might be found. Their ideas resonate through artistic and cultural production of the present, developing innovative ways of exploring our relationship with the planet and expanding the limits of artistic practice. The Scholarly Text Program expands these legacies by commissioning and publishing new writing.

The single artworks range from landmark earthworks and texts to lesser known drawings, moving image works, and rarely seen two-dimensional works. Focused as a tool for researchers at all stages, the Scholarly Text Program will publish two essays on each work, presenting differing opinions and approaches and making links to topics that range from geology to ecology, poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and all the stops between.

Chapter Three of Tuesday Texts publishes the following essays:

Julian Myers-Szupinska, "Everything and Nothing: On Nancy Holt’s Sun Tunnels (1973–76)"

Ron Graziani, "Britannia Beach Project"

Gretchen Ernster Henderson, "Here Before & Where Beyond: Dark Star Park"

James Boaden, "Nancy Holt, Underscan (1974)"

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Click on the following links to read the essays in previous Chapters of our Tuesday Text series: Chapter One; Chapter Two. 

Nancy Holt, Sun Tunnels (1973-76)
Great Basin Desert, Utah
Concrete, steel, earth
Overall dimensions: 9 ft. 2-1/2 in. x 86 ft. x 53 ft. (2.8 x 26.2 x 16.2 m); length on the diagonal: 86 ft. (26.2 m)
Image scanned by Julian Myers-Szupinska from Nancy Holt's article Sun Tunnels, 1977 in Artforum, April 1977, Vol. 15, No. 8
Photograph: Nancy Holt
Artwork: ©Holt/Smithson Foundation and Dia Art Foundation, Licensed by Artists Rights Society, New York
Magazine Layout: Artforum

Archived News

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle 2," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

a constellation of the big dipper made of fire pits

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

forthcoming

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Robert Smithson looking at the camera from the back of a stationwagon loaded with rocks

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.

four steel pipes extending up from the floor with four viewing pipes pointed at four black painted circles on the wall

Holt's "Locators with Loci" on view in "Minimal" at the Bourse de Commerce

Nancy Holt's 1972 sculpture "Locators with Loci" is on view in the exhibition "Minimal" at the Bourse de Commerce, Paris until January 18, 2026. Curated by Jessica Morgan, Director of Dia Art Foundation, the exhibition traces the scope Minimal Arr through over a hundred works by some forty international artists.

a woman walking up a sand dune hill with her back to the camera

Joan Jonas: An Island Departure at the Farnsworth Art Museum

"Joan Jonas: An Island Departure, with Nancy Holt and Robert Smithson"  is currently on show at the Farnsworth Art Museum in Rockland, Maine through to March 1, 2026. This special collaboration is part of our on-ongoing series of projects with artists working today.