"Nancy Holt / Inside Outside" at Bildmuseet

We are very pleased to announce the exhibition Nancy Holt / Inside Outside launches this June, produced by Bildmuseet, one of Sweden’s foremost contemporary art venues.

Nancy Holt / Inside Outside explores the artist’s rich artistic legacy through a selection of works spanning 1967 to 1992. This is the most ambitious exhibition of her work to date. Perceptions and demarcations of being "inside" and "outside" guide this survey exhibition.

Holt herself was an insider and an outsider: she was a key member of the Earth, Land, and Conceptual art movements, yet her work is far lesser known than that of her male peers—a situation this exhibition strives to amend. Highlighting Holt’s commitment to perception, light, and space, Nancy Holt / Inside Outside presents several previously unseen photoworks, and the first posthumous presentation of two Systems Works, with Ventilation System (1985-92) literally moving inside and outside of the architecture of the museum.

In 1973, Holt started to research her ideas for her landmark Sun Tunnels (1973-76), creating Instamatic photostudies testing the possibilities of how vision might be focused through a sculpture located in a landscape uninterrupted by buildings and roadways. In this exhibition, these small-scale images are paired with photographs of Sun Tunnels by the influential photographer Richard Misrach (b. 1949) made fifteen years later, each measuring ten by eight feet. Placed in the context of audio and moving image works observing travel through the North American landscape, Holt’s 1986 series Alaskan Pines and Athabascan/Russian Graveyards, as well her 1969 Miami Puddles are likewise exhibited for the first time.

Underpinning this twenty-five-year survey is a call to look deeper and think harder about how humans try to find their place in the world through systems and vision, as well as through the systematic distinctions between "inside" and "outside." The exhibition launches at the time of the summer solstice when the city of Umeå, located close to the Arctic Circle, has white nights echoing Holt’s consistent tracing of the sun, moon, and stars in relation to our place on the planet.

Inside / Outside is accompanied by a book published in the summer by Monacelli Press, with texts by scholars Karen Di Franco and James Nisbet, curators , Teresa Grandas, Lisa Le Feuvre, and Katarina Pierre, and two texts by Nancy Holt—a previously unpublished self-interview and a reflection on the ecological aspects of her work. The curators of the exhibition, and editors of the publication, are Lisa Le Feuvre and Katarina Pierre. 

Bildmuseet is a part of Umeå University and the public heart of its arts campus. In seven floors of striking architecture, art, humanities and science meet across the urgent issues of our time. Bildmuseet is a place for critical encounters and conversations on art, society, and existence.

Nancy Holt, Sun Tunnels photo studies [detail] (1975)

Eighty-three black and white Instamatic photographs with graphite on reverse 

3 ½ x 3 ½ in. (9 x 9 cm) each

Archived News

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

Nancy Holt: Light and Shadow Poetics at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.

Nancy Holt's Starfire acquired by Powder Art Foundation

We are very pleased to share Nancy Holt’s 1986 sculpture "Starfire" has found a permanent home in the collection of Powder Art Foundation in Eden, Utah. Powder Art Foundation is an outdoor art museum that works closely with Dia Art Foundation. "Starfire" comprises eight pits arranged to mirror the Big Dipper constellation and the North Star. The flames create a terrestrial map of the night sky, bringing the energy of distant stars down to earth.

Holt artworks in "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld

Light was a constant source of fascination for Nancy Holt throughout her four decades of artmaking. Whether drawn from the stars or powered by electricity, she approached light as a phenomenon, an idea, and a material in itself. Three of her pivotal works investigating the perceptual qualities of light are featured in the exhibition "All Light: Light and Space yesterday and today" at Kunsthalle Bielefeld, Germany.

Casting a Glance: Dancing with Smithson

In 1968 Robert Smithson declared: “A great artist can make art by simply casting a glance.” On show until January 20, "Casting a Glance: Dancing with Smithson" at Marian Goodman Gallery Los Angeles takes him at his word and invites eighteen artists to join Smithson on the floor as partners who resist, improvise, and extend the rhythm of his thinking.