two figures sitting next to a window

Holt/Smithson Foundation at the International Catalogue Raisonné Association's Annual Conference

This week our Executive Director Lisa Le Feuvre will be speaking at the International Catalogue Raisonné Association's annual conference. This year's conference is titled New Thinking About the Catalogue Raisonné and Le Feuvre will be presenting on Holt/Smithson Foundation's plans for creating a digital Atlas of Artworks for Nancy Holt and Robert Smithson.

The conference takes place this Thursday, January 9, 2025 at Mishcon de Reya, Africa House, London. Book tickets here.

Further information on New Thinking About the Catalogue Raisonné conference from ICRA is below:

Today, the field of cataloguing artworks is rapidly expanding and changing. New models continue to appear, from the Wildenstein Plattner Institute’s “Digital Corpus” to the Holt/Smithson Foundation's “Atlas”—which aims to catalogue a husband-and-wife artist pair—to the Hans Arp “Critical Survey” and Sophie Tauber-Arp online “Oeuvre Catalogue,” to the Modigliani Initiative, we are witnessing a critical expansion beyond the term “catalogue raisonné” as well as a serious rethinking of its traditional and current approaches and uses. Reconsidering the role of the single independent expert on an artist, museums are now becoming involved and partnering in cataloguing oeuvres of artists (Rothko and Louise Bourgeois Works on Paper), and, in some cases, groups of museums are joining forces for this purpose, as in the Van Gogh Worldwide Resource. Digital scanning and 3-D copies of objects, such as those by Factum Foundation, offer an alternative approach to cataloguing and documenting art. Further, the digital turn to online catalogues has democratized information but at the same time has its own sets of risks regarding website technology and sustainability. And the traditional print catalogue raisonné, such as those published by Yale University Press and Art Publishing Inc., continue to have an enduring value and has lasted for centuries. Why are some contemporary archives, estates, and living artists rethinking the catalogue raisonné’s format and purpose? Why do so few women and non-binary artists have traditional catalogues? What can we learn from non-Western approaches, such as the Benin Digital Project or cataloguing of Native American art? What legal issues arise when we rethink the catalogue raisonné as a genre and topos, and how will this in turn affect the art market?
 

Nancy Holt and Robert Smithson in Vancouver, British Columbia, Canada, in 1969

Archived News

spiral jetty film still

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

four wooden pillars sticking out of the earth with mountains in the background

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

signage for an exhibition

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

a short typewritten text within a circle, with Nancy Holt's signature in the bottom right corner

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.