Holt’s "California Sun Signs" at Fraenkel Gallery

Nancy Holt’s 1972 photographic series California Sun Signs features in the group exhibition Another West at Fraenkel Gallery, San Francisco on show from September 5 though October 19, 2019.

California Sun Signs comprises nineteen inkjet prints on archival rag paper, printed from original 126 format transparencies – a detail of a bullet-peppered sign is seen above. Collected on Holt’s route to the Mojave Desert in 1972, the signs range from a school to a restaurant, a liquor store, and a street sign. From sundae to sundial, and sunset to sunray, this series, all shot in vibrant color, collects the many ways the motif of the sun has been used in signage.

Another West is curated by Richard Misrach, who has been photographing the American West for more than 50 years, and is perhaps best known for his ongoing series Desert Cantos. The exhibition surveys contemporary approaches to the Western United States landscape – which Misrach describes as “eleven different Wests. From Nancy Holt’s 1972 color series California Sun Signs, to Lewis deSoto’s performance-driven long exposures, to Mishka Henner’s appropriated and digitally-composited satellite images of oil derricks, these artists employ photographic strategies and technologies unimaginable in Watkins’s era of the black-and-white mammoth plate. Most significantly, these artists of the late twentieth and twenty-first centuries call our attention to what the West has become.”

Nancy Holt, California Sun Signs [detail illustrated above]
From a series of nineteen inkjet prints on archival rag paper
Printed from original 126 format transparencies in 2012
Each 15 x 15 in.

© Holt/Smithson Foundation, licensed by VAGA at ARS, New York

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.