30 Below

Nancy Holt
1979
Commissioned for the 1980 Winter Olympics, Lake Placid, New York, USA
10,000 molded red bricks, grass, earth
Overall dimensions: height: 30 ft.(9.1 m); diameter: 9 ft. 4 in. (2.8 m)

Commissioned for the 1980 Olympic Winter Games in Lake Placid, New York, ​30 Below i​s a 30-foot, open-ended tower made of 10,000 locally-sourced bricks. The upper openings and arches at the base run north to south, while the side openings run east to west—aligned to the North Star. “I am putting ‘centers of the world’ wherever I go,” Holt stated. ​30 Below ​is both an anchor, grounding perspective along the cardinal directions, and a channel, connecting the subject with unadulterated views of sky. Its formidable structure lends itself to longevity, a testament to Holt’s continual fixation on time and duration.

Writing

Scholarly Text

30 Below

Sarah Hamill
For years growing up, I would drive past Nancy Holt’s 30 Below (1979) wondering how this strange kiln ended up in the middle of an open field off a road that bypasses the town of Lake Placid, a locals’ short cut. The sculpture seems distinctly out of place: its lone red brick tower, punctured with apertures, does not seem at home with its surroundings, neither the small community garden nearby, nor the stand of maple trees that has taken over the field since Holt built the sculpture in 1979, nor the cluster of wooden structures of abolitionist John Brown’s farm nearby, nor even the dense and rugged Adirondack Mountains that surround it. Standing solitary in an open field bordered by forest, Holt’s large-scale sculpture evokes a ruin of another age.

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