a square metal sculpture on the wall next to a square map of the same size displayed on the wall

Smithson at Museum of Contemporary Art San Diego

Robert Smithson’s Mono Lake Nonsite (Cinders Near Black Point) (1968) is currently on view at the Museum of Contemporary Art San Diego in the exhibition Bound to the Earth: Art, Materiality, and the Natural World, drawn from the museum’s collection. The exhibition continues through March 19, 2020.

Bound to the Earth: Art, Materiality, and the Natural World looks at the ways artists have addressed and represented the landscape. Many of the selected works are made with earthen materials such clay and tar, sticks and soil; others focus on the natural resources that constitute our environment. The exhibition explores how in the late 1960s artists began siting their sculptures, installations, and performances outdoors, engaging with the natural world in contrast to the space of the gallery. These works of land art varied from minimal and ephemeral gestures in the landscape to large movements of the earth.

Mono Lake Nonsite (Cinders Near Black Point) comprises two parts: a steel container holding cinders collected from near Black Point, Mono Lake and a map photostat. Mono Lake is an ancient saline lake located in Mono County, California. In his 1968 essay A Provisional Theory of Non-Sites, published in The Writings of Robert Smithson [p364], Smithson opens his text by stating: “By drawing a diagram, a ground plan of a house, a street plan to the location of a site, or a topographic map, one draws a ‘logical two dimensional picture.’ A ‘logical picture’ differs from a natural or realistic picture in that it rarely looks like the thing it stands for. It is a two dimensional analogy or metaphor – A is Z.” He continues to describe that a nonsite is “an indoor earthwork […] a three dimensional logical picture that is abstract yet it represents an actual site” [original emphasis].

Robert Smithson, Mono Lake Nonsite (Cinders Near Black Point) (1968)
Painted steel container, cinders and map photostat
Site map 40-1/4″ x 40-1/4″; container 7″x 39-3/4″ x 39-3/4″
Collection Museum of Contemporary Art, San Diego
Photograph: Pablo Mason
Installation image of Bound to the Earth: Art, Materiality, and the Natural World, at the Museum of Contemporary Art San Diego, 2019-2020

Art © Holt/Smithson Foundation, licensed by VAGA at ARS, New York

Archived News

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Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

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Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and