Holt/Smithson Foundation Friday Films — "Utah Sequences" on April 3, 2020

Starting Friday April 3, Holt/Smithson Foundation invites you to join us for Fridays at the movies.

Between 3pm and 11pm Mountain Time (the time zone of our home base in New Mexico), every Friday through April and May we present a moving image work by Nancy Holt and/or Robert Smithson on Vimeo. 

Our first Friday movie presents Nancy Holt’s Utah Sequences (1970). 

This film will be publicly accessible from 3pm MT to 11pm MT on April 3, 2020.

Shot on Super 8 film, Utah Sequences shows Holt’s deep investigation of Utah’s landscape. Created six years before the completion of her landmark sculpture Sun Tunnels (1973–76), Holt’s earthwork situated in Utah’s west desert, this film explores the manmade and natural environment at Rozel Point on the north arm of Great Salt Lake. The film captures wood cabins, an amphibious vehicle, and remnants of oil drilling that have largely disappeared from the site today. By contrast, the tar-seeps and salt-encrusted pelicans so present in this film remain a constant at the site.

Holt’s film shows the artist Robert Smithson, the gallerist (and our Board member) Virginia Dwan, the photographer Gianfranco Gorgoni, and one yet-to-be-identified-person as they prepare for the construction of Smithson’s iconic earthwork Spiral Jetty (1970), a giant coil of black basalt rocks that juts into Great Salt Lake at Rozel Point. Until recently thought to have been lost, Utah Sequences sheds light on Holt and Smithson’s time in Utah and invites conversations about entropy, timescales, and the human impact on the environment.

Utah Sequences is currently on loan to the Utah Museum of Fine Arts at the University of Utah. In alignment with the state of Utah’s response to COVID-19, UMFA will remain closed through May 8, 2020. Please check UMFA’s website for details for schedules before visiting.

Nancy Holt, Utah Sequences [still] (1970)
Super 8 film
Color, silent
Duration: 9 minutes, 26 seconds

© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York

Archived News

Films by Holt and Smithson on view at The Museum of Modern Art

Three films by Nancy Holt and Robert Smithson are currently on view at The Museum of Modern Art, New York, in collection gallery 411 of the David Geffen Wing. This presentation focuses on Spiral Jetty (1970), Swamp (1971), and Sun Tunnels (1978). Newly restored scans of the first two works are presented as part of a collaboration between Holt/Smithson Foundation and MoMA to preserve their moving-image work.

Chapter Nine of Tuesday Texts

Throughout February 2026, we are publishing the ninth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. Developed as a tool for researchers at all stages, the Scholarly Text Program aims to publish two essays on each work, presenting differing opinions and approaches and drawing connections to topics that range from geology and ecology to poetry, architecture, public art, sculpture, drawing, film, philosophy, site, and

"Nancy Holt: Light and Shadow Poetics" at the MAK Center for Art and Architecture, Los Angeles

What does it mean to notice how we see? "Nancy Holt: Light and Shadow Poetics" at the MAK Center at the Schindler House in Los Angeles offers an encounter where art and architecture shape perception together. This exhibition to brings Holt’s work into a responsive dialogue with the Schindler House, inviting visitors to experience art and architecture as partners in seeing.

Nancy Holt concrete poem on show in Paris at Centre Wallonie-Bruxelles

Nancy Holt started making art in 1966, and her first works took the form of concrete poems: artworks testing the structure, content, and form of language. A key concrete poem, "The World Though a Circle," from 1972 is currently on show in the exhibition Deep Fields at the Centre Wallonie-Bruxelles in Paris until March 23, 2026.