Collaboration was a significant aspect of Nancy Holt’s artistic practice. During the 1970s, the artist Carl Andre was a frequent correspondent, and several of Holt’s concrete poems consist of texts composed through letters, postcards, and faxes sent to Andre. Their close personal and artistic relationship is also reflected in the 1972 concrete poem collage Chinese Dinner, in which Andre appears as one of four guests alongside Holt, Robert Smithson, and Angela Westwater Reaves.


