Smithson's "Asphalt Rundown" in "Mining Photography" exhibition at MK&G Hamburg

Imagery and digitized film of Robert Smithson's earthwork Asphalt Rundown (1969) is currently on view in the exhibition Mining Photography: The Ecological Footprint of Image Production at Museum für Kunst und Gewerbe Hamburg. Mining Photography examines the relationship between photography and extractive industries. 

From MK&G: "Ever since its invention, photography has depended on the global extraction and exploitation of so-called natural resources. In the early 19th century, these were salt, fossil fuels such as bitumen and carbon, as well as copper and silver, which were all used for the first images on copper plates and for salt paper prints. By the late 20th century, the photographic industry was one of the most important consumers of silver, responsible, at its peak, for about a quarter of the metal’s global consumption. Today, with the advent of digital photography and the ubiquity of mobile devices, image production is contingent on rare earths and metals such as coltan, cobalt, and europium. Image storage and distribution also consume immense amounts of energy. One scholar recently observed that Americans produce more photographs every two minutes than were made in the entire nineteenth century.

"Mining Photography: The Ecological Footprint of Image Production is dedicated to the material history of key resources used for image production, addressing the social and political context of their extraction and waste and its relation to climate change. Using historical photographs and contemporary artistic positions as well as interviews with restorers, geologists, and climate researchers, the exhibition tells the story of photography as one of industrial production, showing the extent to which the medium has been deeply intertwined with human change of the environment. By focusing on the ways by which industrial image production has been materially and ideologically implicated in climate change, rather merely using it to depict its consequences, the exhibition employs a radically new perspective towards this subject."

The exhibition is curated by artist, author and curator Boaz Levin and Dr. Esther Ruelfs, Head of the Photography and New Media Collection at MK&G. In cooperation with Kunsthaus WienGewerbemuseum Winterthur and the HFBK HamburgMining Photography is on view through October 31, 2022.

Installation view: Robert Smithson's Asphalt Rundown in the exhibition Mining Photography: The Ecological Footprint of Image Production, MK&G Hamburg, Germany, 2022
 

Archived News

Nancy Holt: Circles of Light at Gropius Bau, Berlin

Holt/Smithson Foundation and Gropius Bau are pleased to announce the most comprehensive presentation of Nancy Holt in Germany to date. Taking a journey through Holt’s output, starting with her first artwork made in 1966, Circles of Light expands over the Gropius Bau’s ground floor and atrium. Paying attention to Holt’s experimental approach to the interplay between the immaterial and the material, this exhibition underscores the singularity of Holt’s oeuvre.

Chapter Six of Tuesday Texts

We are happy to announce that throughout January we will be publishing a sixth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. This chapter of Tuesday Texts will focus on artworks by Robert Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.