Nancy Holt and Charlotte Prodger screening in Rio

On October 17, 2019 Escola de Artes Visuais do Parque Lage in Rio de Janeiro, Brazil presents a screening event pairing moving image works by Charlotte Prodger and Nancy Holt.

In the summer 1975 issue of the magazine Avalanche Holt describes the ‘Pine Barrens is a wilderness of sand and pine trees 1000 square miles in area in the central part of southern New Jersey. It’s the forgotten land of the northeastern urban belt: New York is 1 hour and 45 minutes away to the north, Philadelphia to the west, Atlantic City to the south.’ She notes that: ‘Pine Barrens evolves partially from the landscape itself, and partially from the people and their responses to their own natural environment’ Holt’s second film in the program, Sun Tunnels, explores the process of creating Holt’s landmark earthwork of the same name.

Charlotte Prodger (b. 1974) is an artist who works with the moving image, sculpture, photography and writing who notes Holt’s work as a key reference. In her works she explores language, landscape, time, and queer identity. In 2019 she represented Scotland at the Venice Biennial and won the Turner Prize.

This event takes place on the occasion of a research residency with the Foundation’s Executive Director, Lisa Le Feuvre, and Prodger at Inclusartiz. Both will be present at the screening.

Program:
Charlotte Prodger, BRIDGIT (2016); 32 minutes
Nancy Holt, Pine Barrens (1975); 30 minutes, 24 seconds [illustrated above]
Charlotte Prodger, SaF05 (2019); 39 minutes
Nancy Holt, Sun Tunnels (1978); 26 minutes, 31 seconds

Still from Nancy Holt, Pine Barrens (1975)
Color, sound, 16 mm film on HD video
Duration: 30 minutes, 24 seconds

Art © Holt/Smithson Foundation, licensed by VAGA at ARS, New York
Distributed by Electronic Arts Intermix

Archived News

Nancy Holt: Circles of Light at Gropius Bau, Berlin

Holt/Smithson Foundation and Gropius Bau are pleased to announce the most comprehensive presentation of Nancy Holt in Germany to date. Taking a journey through Holt’s output, starting with her first artwork made in 1966, Circles of Light expands over the Gropius Bau’s ground floor and atrium. Paying attention to Holt’s experimental approach to the interplay between the immaterial and the material, this exhibition underscores the singularity of Holt’s oeuvre.

Chapter Six of Tuesday Texts

We are happy to announce that throughout January we will be publishing a sixth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. This chapter of Tuesday Texts will focus on artworks by Robert Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.