Holt’s video ‘Underscan’ at MoMA, NY

Nancy Holt’s video Underscan (1974) is on show in the re-opening collection displays at the Museum of Modern Art, New YorkUnderscan comprises an audio track of Nancy Holt reading letters she received from her Aunt Ethel, while the visual element is a series of still images of her aunt’s home. This nine-minute and twelve-second video is on display from October, 2019 on the fourth floor, and is one of five works by Holt held in MoMA’s collection.

Nancy Holt described in a 1974 issue of Art Rite magazine: In Underscan, time and the visual image are compressed. A series of photographs of my Aunt Ethel’s home in New Bedford, MA had been videotaped, and re-videotaped while being underscanned. (The underscanning device is a structural framework particular only to video; it compresses the picture so that the edges can be seen precisely; it does away with the variation that occurs between monitors in the amount of the image which is visible.) Because of this underscanning process, each static photo image, as it appears, changes from regular to elongated to compressed or vice versa. Excerpts from letters from my aunt spanning ten years are condensed into years minutes of my voice-over audio. Certain yearly occurrences repeat in an auditory rhythm, coinciding with the cycle of yearly changes.”

This moving image work is accompanied by a photographic series of the same title and the artist book Ransacked: Aunt Ethel, an Ending (1980), which charts the ransacking of Aunt Ethel’s home in her final days.

Nancy Holt, Underscan [still]  (1974)
Single-channel video, black and white, sound
Duration: 9 minutes, 12 seconds
© Holt/Smithson Foundation / Licensed by Artists Rights Society, New York. Distributed by Electronic Arts Intermix, New York and Video Data Bank, Chicago.

Archived News

Nancy Holt: Circles of Light at Gropius Bau, Berlin

Holt/Smithson Foundation and Gropius Bau are pleased to announce the most comprehensive presentation of Nancy Holt in Germany to date. Taking a journey through Holt’s output, starting with her first artwork made in 1966, Circles of Light expands over the Gropius Bau’s ground floor and atrium. Paying attention to Holt’s experimental approach to the interplay between the immaterial and the material, this exhibition underscores the singularity of Holt’s oeuvre.

Chapter Six of Tuesday Texts

We are happy to announce that throughout January we will be publishing a sixth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. This chapter of Tuesday Texts will focus on artworks by Robert Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.