Dia Acquires "Sun Tunnels" by Nancy Holt

Holt/Smithson Foundation is pleased to announce Nancy Holt’s Sun Tunnels (1973-76) has joined Dia Art Foundation’s collection of art. In addition, Holt’s 1973 room-sized installation Holes of Light will join the collection. Both acquisitions have been facilitated by Holt/Smithson Foundation.

Sun Tunnels is a pioneering work of Land art located in the Great Basin Desert in north-western Utah. This new acquisition demonstrates Dia’s unwavering commitment to site-specific projects, which began more than forty years ago with Walter De Maria’s The Lightning Field (1977) and now includes projects around the world. This is the first permanent work of Land art to join Dia’s collection since 1999, when Nancy Holt facilitated the donation of Robert Smithson’s Spiral Jetty (1970) to Dia.

In celebration, Dia will present an exhibition of work by Holt at Dia:Chelsea in New York, opening September 15, 2018. Holt’s work since the early 1970s was concerned with the complexities of perception-focus, light, and space. This exhibition will feature Holes of Light and Mirrors of Light (1974), which both explore the physical properties of light projected onto cylindrical forms. Holt’s work with artificial light led her to explore natural light in the landscape and, ultimately, create Sun Tunnels. The exhibition will mark the first recreation of Mirrors of Light since its original installations in 1974.

Nancy Holt, Sun Tunnels (1973-76)
Great Basin Desert, Utah
Concrete, steel, earth
Overall dimensions: 9 ft. 2-1/2 in. x 86 ft. x 53 ft. (2.8 x 26.2 x 16.2 m); length on the diagonal: 86 ft. (26.2 m)
Photograph: Nancy Holt

Collection Dia Art Foundation with support from Holt/Smithson Foundation
© Holt/Smithson Foundation and Dia Art Foundation, licensed by VAGA at ARS, New York

Archived News

Nancy Holt: Circles of Light at Gropius Bau, Berlin

Holt/Smithson Foundation and Gropius Bau are pleased to announce the most comprehensive presentation of Nancy Holt in Germany to date. Taking a journey through Holt’s output, starting with her first artwork made in 1966, Circles of Light expands over the Gropius Bau’s ground floor and atrium. Paying attention to Holt’s experimental approach to the interplay between the immaterial and the material, this exhibition underscores the singularity of Holt’s oeuvre.

Chapter Six of Tuesday Texts

We are happy to announce that throughout January we will be publishing a sixth chapter of our Tuesday Text Series as part of our ongoing Scholarly Text Program, which invites thinkers to focus on a single artwork by Holt and/or Smithson. This chapter of Tuesday Texts will focus on artworks by Robert Smithson.

Every Tuesday we will publish a text to our website that includes images selected by the author, a short bibliography, citation reference, and endnotes pointing to the author’s references.